After decades of stellar performances, Angela Bassett was honored Monday evening at the American Black Film Festival in Beverly Hills for her extraordinary contributions to film, receiving the Excellence in the Arts award.
From her breakthrough role playing Tina Turner in “What’s Love Got To Do With It” to her powerful performance in “Waiting to Exhale,” and “Black in Panther,” Angela Bassett deserves all her flowers.
For the special evening, the Yale-educated actress looked refined and poised as she strutted down the red carpet in an elegant black gown adorned with gold 3D appliqués. Designed by Falguni Shane Peacock, Bassett’s matching blazer draped off her shoulders, bringing the perfect touch of modernity to her look.
Falguni Shane Peacock is an Indian high-fashion label that was created in 2004 by husband and wife duo Falguni Peacock and Shane Peacock. They’re known for bedazzling their garments out with feathers, sequins, and a variety of embellishments. From Beyonce to Rihanna and JLO, their designs have been worn by some of the greats. Perhaps Angela Bassett proved to be an exceptional and well-deserved addition to their roster
On our Fashion Bomb daily Instagram page, Angela Bassett’s post has amassed 16K likes, with fans raving about how extraordinary she looked. @Ms.afro.rican shared, “🔥❤️🔥 Not trying to keep up with the younger women, leading the pack!,” while @Allisonelizabethbrown wrote, “YALLLLLLLLLLLLLLLLLLLL!!!! THIS WOMANNNNNNNNNNNN!!!! LAWD!!! 🤌🏽🔥🔥🔥🔥🔥WHEWWWWW!!! “
Christian Cowan brought the romance during his New York Fashion Week Fall/Winter2026 presentation, and his designs were seductively intriguing.
Titled, “Before the Door Opens,” his collection was unapologetically bold with daring silhouettes, plunging necklines, and the artful play of sheer fabrics.
“I have always been fascinated by the moment before you step out the door,” said Christian Cowan. “There is something powerful about that private ritual, when you are alone with the mirror and deciding who you are about to be. This season, I wanted to expose that process and make it the spectacle itself.”
As model’s sashayed down the runway, attendees were in awe by the 1950’s textiles, antique lace trims, and traditional corsetry techniques.
In addition to reimagining traditional techniques, he walked attendees through the future of fashion with his use of mesh, sheer and lace to partially reveal the body and underlying garments.
From lingerie inspired garments, to statement silhouettes, and accessories like Kofi hats and necklaces that wrapped around model’s neck and shoulder, Christian Cowan was intentional about creating a collection that was progressive and thought-provoking.
Ahead, see more images of Christian Cowan’s FW/Winter designs below!
What say you? Hot! or Hmm…?
Photo Credit: Provided on behalf of Christian Cowan
I always kick off New York Fashion Week with the Christian Siriano show!
This season was all about volume and textures, witnessed by voluminous tops and dress, and gowns accented with sequins, feathers, chains, and more!
The front row was just as iconic as the designs on the runway!
I grabbed pix with Monique and Mia Rodriguez, Jackie Aina, Jerome Lamaar, and Patrice Taylor of Althea Mink, who made my fur look:
Backstage, I was juiced to grab a pic with Whoopi Goldberg and Monica, along with Christian himself!
NEW YORK, NEW YORK – FEBRUARY 12: <> attends Christian Siriano Fall/Winter 2026 on February 12, 2026 in New York City. (Photo by Jamie McCarthy/Getty Images for Christian Siriano)
Today is day 3 of New York Fashion Week…I’m just trying to keep up!
Keep it locked here for even more from New York Fashion Week!
Romeo Hunte is revolutionizing menswear on a broader scale and his latest New York Fashion Week show was a testament of just how raw he is.
On Friday, the Brooklyn native presented his Fall/Winter 2026 show at the Gotham Hall in Manhattan’s garment district, and his designs were modern, distinctive, and progressive.
From polished, premium denim to impeccably executed outerwear, Romeo Hunte presented a multitude of well-constructed designs. Self-taught in sketching during his teenage years and later formally trained at FIT, Hunte has undeniably established himself as a designer to watch.
In addition to classic fabrics, we saw cultural and streetwear elements woven into his collection. Think graphic tops with the Mona Lisa imprinted, and models strutting down the runway with a tilted berets.
In addition to showcasing contemporary ready-to-wear, the collection also featured elevated evening wear, including printed silk suits with statement lapels and leather double-breasted blazers layered beneath leather capes.
Romeo’s show left a lasting impression during New York Fashion Week, and perhaps was nothing short of triumphant. He’s redefining what menswear looks like, and it’s always impressive when a designer can challenge the status quo.
Ahead, see more of Romeo Hunte’s incredible designs below!
The multifaceted Kandi Burruss recently posed for the ‘Gram in a fabulous ensemble by “The Frankie Shop,” the consisted of a black long sleeve top layered with a black fur micro bolero.
Styled by celebrity stylist Daniel Hawkins, her ensemble was paired with a grey maxi wool skirt that was belted at the waist. Her skirt matched perfectly with her grey “Kufi” hat, and her black Gucci stilettos was a stark reminder that she’s standing on business.
With such brutal weather on the east coast, we have been seeing many celebs pulling out their mink, raccoon and rabbit furs left and right. Kandi completed her look with a luxurious brown fur coat by IStyleBySonia, which added depth, dimension, and a lustrous finish to her glamorous appeal.
The “Who Can I Run To?” singer who filed for divorce from her husband Todd Tucker in November 2025, has been in media spotlight due to public martial and financial disagreements. Many fans continue to make comments that Mama Joyce (who wasn’t too fond of Todd from the beginning) was right about him.
But in all honestly whether Mama Joyce was right or not, perhaps it was already written. Despite their marriage falling short of the glory, they both got two beautiful kids out of it. And the beauty of life is that “nothing has ever been removed, without being replaced with something better.” Think about it.
I can remember it like it was yesterday. Planning my entire schedule around Wednesday night’s for my must see TV: America’s Next Top Model. Me and my girls would gather around the television, and gag at all the crazy challenges the ladies would have to face (and how panelists like Ms. Jay, Mr. Jay, Tyra, and Nigel Barker would react)!
Now, over a decade later, Netflix is bringing all that good 2000’s nostalgia back with Reality Check: Inside America’s Next Top Model, premiering February 16th.
ANTM shaped an entire generation’s understanding of modeling. It gave us high fashion moments, iconic hairstyles, and popcorn worthy drama. While some things were obviously titillating and shocking, looking back, we now know that many many things (switching ethnicities, anyone?) simply wouldn’t fly in today’s cultural climate.
The new docuseries digs into the uncomfortable moments—the critiques that felt too harsh, the editing choices that reshaped narratives, the emotional toll the competition took on young women who were often just 18 or 19 years old. Former contestants speak candidly about body image pressures, controversial challenges, and the blurred line between mentorship and manufactured drama. Some participants embrace the reflection. Others have publicly criticized the project, questioning whether the industry has truly learned from its past.
What makes this documentary timely is not just nostalgia—it’s accountability. In 2003, reality TV was still the wild west. Social media didn’t exist the way it does now. There was no instant public discourse. Today, audiences demand transparency. They want to know what happened behind the scenes. They want context. They want growth.
At the same time, let’s not rewrite history without acknowledging impact. ANTM opened doors. It introduced viewers to diversity in modeling at a time when fashion magazines were far less inclusive. It put plus-size contestants, LGBTQ+ contestants, and women from different backgrounds on prime-time television. For many women watching, including myself, that visibility mattered.
Reality Check: Inside America’s Next Top Model feels less like a takedown and more like a reckoning—a moment to examine how far we’ve come in fashion, media, and representation, and how far we still need to go. Whether you were obsessed with the makeovers, lived for the runway challenges, or questioned the judging panel’s decisions every week, this series invites us to look back with a sharper lens.
And if there’s one thing fashion has always done well, it’s evolve. February 16th might just remind us that growth, even when messy, is still progress.
We are officially in New York Fashion Week mode, and Rihanna made a special appearance at the AWGE fashion show yesterday in an all black look that was provocative.
AWGE is a creative agency founded by Ri’s beau A$AP Rocky, and acts as a in-house collective for fashion, music, and videos. A$AP first debuted his AWGE runway show during Paris Fashion Week in 2024, and it was refreshing to see him return to his hometown New York this season.
Rihanna sat front row, alongside the “A$AP Mob,” with a playful smize that exuded confidence. She wore a black leather coat that had fur trim, and layered it over a black lace bralette, blending delicacy with structure. She accessorized with black sheer footless stockings, and pointy toe stilettos, and her oversized black shades added a mysterious touch.
Back stage, “love was definitely on the brain,” as Rihana congratulated A$AP Rocky following a warm embrace. He seductively held on to her waist, with a grin that implied he just might be ready to make baby #4.
On our Fashion Bomb daily instagram page, one person commented, “Rocky imma need you to stay off my girl for a good 9 months; we need that album,” while another shared, “The way this man be loving on my girl should be studied!!! I want that for ALL MY GIRLS. “
A$AP Rocky is in his grove. Not only was he named the new House Ambassador for Chanel, but his latest album,”Don’t Be Dumb” reached #1 on the Billboard 200 chart, and his AWGE fashion show was a total success.
Rihanna has been in the spotlight for over two decades, and so it’s great to see her support her partner during this pivotal time, giving him the opportunity to shine.
Sergio Hudson presented his Fall/Winter 2026 collection at the New York Public Library, celebrating ten years in business with a focused exploration of tailored stretch suiting, American sportswear, and sculpted silhouettes. The anniversary show drew inspiration from the grandeur of legendary Black opera singers such as Leontyne Price and the commanding stage presence of Aretha Franklin, channeling that sense of drama into a collection defined by heightened femininity and precision.
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Texture anchored the lineup. Mohair, cashmere, suede, embossed croc, and snakeskin-embossed leather elevated classic tailoring, while silk charmeuse evening skirts, jewel-embellished bustiers, and black column gowns finished with cascading tulle introduced softness and movement.
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Hudson’s signature structure remained intact, but the materials added depth and dimension.
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This season signaled an evolution. Sculptural floral appliqués, plunging décolletage, and sharply tailored, figure-sculpting trousers demonstrated a refined approach to proportion and fabrication. Unexpected color pairings—mustard with teal, electric blue sequins offset by vivid pink—brought contrast and clarity while reinforcing the confidence of the collection.
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A decade in, Hudson continues to refine his aesthetic while expanding its visual language. The Fall/Winter 2026 offering reflected both discipline and growth, underscoring his commitment to structure, glamour, and longevity.
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Hot! Or Hmm..?
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Bowery Ballroom set the stage for Cucculelli Shaheen’s latest collection entitled Electric Cosmos. Guests were treated to a live band while watching whimsically wonderful dresses and separates walk down the runway.
Collection Twenty-Two is described as a twist of Art Deco mysticism and Baroque glam rock, weaving together mystic sunsets, night creatures, cosmic dancers, and ballrooms of Mars into a richly imagined sartorial universe. The setting felt intimate yet theatrical, with models weaving through the crowd beneath mirrored disco balls and dramatic lighting, enhancing the collection’s celestial mood.
Gold reigned supreme. Sheer nude-illusion gowns embellished with constellations of shimmering beadwork floated down the runway, their surfaces sparkling like incandescant myths under stage lights. One standout featured a plunging neckline and delicate starburst embroidery scattered across a barely-there silhouette, paired with matching embellished gloves that added to the cosmic dancer theme.
Emerald tones offered a grounded counterpoint. A moss-green velvet suit complete with a structured jacket, high-waisted trousers, and ornate metallic appliqué detailing evoked Baroque glam rock with a modern edge. The look was styled with statement gold ear adornments, reinforcing the collection’s mystic, almost regal energy. Flowing chartreuse gowns with fluted sleeves and deep slits moved dramatically with each step, conjuring images of lilies of the night and salles fumeurs bathed in green light.
Metallic gowns in antique gold and bronze brought the ballroom of Mars concept to life. Corseted bodices flowed into voluminous skirts that caught the light with every movement, while arm cuffs and vine-like embellishments wrapped around models’ arms like cosmic armor. A striking ombré gown faded from deep indigo into violet and sunset peach, sprinkled with crystal constellations that mirrored a galaxy at dusk.
Silver sequined column dresses adorned with swirling bead patterns nodded to Art Deco geometry, while sheer overlays and elongated gloves heightened the theatrical allure. The balance of structure and fluidity—tailored velvet against liquid metallics and airy mesh—created a multidimensional narrative that felt both vintage and futuristic.
Electric Cosmos was immersive, dramatic, and unapologetically ornate. Cucculelli Shaheen transformed Bowery Ballroom into a celestial dreamscape where glam rock met mysticism, and every look shimmered with intention.
Beyoncé stepped out at the 2026 Super Bowl debuting a fresh blonde bob hairstyle paired with a green croc-embossed trench by Rowen Rose. The structured outerwear featured exaggerated shoulders, a wide lapel, and a belted waist that created a defined silhouette.
She accessorized the look with a coordinating top-handle bag in the same textured green finish, black pointed pumps, and dark sunglasses.
The sleek bob, cut just above the shoulders with soft movement and a center part, marked a noticeable shift from her longer honey-blonde styles seen in recent months.
Her look debuted on Rowen Rose’s Fall 2025 Runway with a coordinating hat, shades, and boots.
The combination of sharp tailoring and a polished hair transformation created a cohesive fashion moment, with the textured trench serving as the focal point.
