Paris is no fret for Sulmers, who once lived there and has become a fashion week extraordinaire. So when the moment presented itself, of course she spoke with some of the hottest to do it in fashion.
Cardi, who’s known for her lyrical flow and head-turning looks, arrived to see Olivier Rousteing designs in a long emerald green shaggy coat by the Parisian brand that was belted at the waist. Her leather headband and gold shell earrings were modern and beautiful.
Contrary to green, Sulmers and Carter opted for all black monochromatic ensembles with Claire rocking an off-the-shoulder Balmain double breasted dress, with black transparent gloves.
Kollin on the other hand, looked sharp in a black Balmain suit that included a cropped blazer layered over a turtle neck sweater. He paired his look with wide leg trousers, and black patent leather Oxford shoes.
We have to admit, if anyone deserves a round of applause, it’s without a doubt Kollin, who is the mastermind behind Cardi’s iconic outfits.
In addition to attending the Balmain show this week, Cardi B also shut down the internet in an all black Mugler look that screamed “EDGY” from her head to her toes. Her bowl haircut, and black lined lip, complimented her deep plunge neckline blazer.
She also took a calculated risk at the Rick Owens fashion show in Paris in soft hues of brown. The mother of 3, who looks absolutely incredible after just giving birth at the beginning of this month, wore a brown knitted maxi dress to the show. She layered her Rick Owens dress with a long innovative cape that had exaggerated shoulders.
Between the Balmain, Mulgler and Rick Owens show, Cardi B was a sight to behold. She is becoming known for making quite an entrance, and we’re always anticipating what she’s going to wear next!
While Schiaparelli is world renowned for its couture collections, their “Future Vintage” Spring/Summers 2025 foray was just as alluring, with a menu that spoke to every woman in every station of life: from daydreaming millennials to working Gen X’ers and cruising baby boomers.
The show was an unabashed celebration of the female form, with looks that accentuated waists under corsets–a detail that added unmitigated sex appeal to every look.
Stand out pieces included a shirt dress in white linen with black checks featuring a wide collar and a tonal corset with lacing in the back, white piqué jersey polo bodysuits paired with draped skirts, and bodycon dresses gathered towards the middle into braids, finished off with metal bijou buckles.
In addition to the garments, the accessories were stunning: belts, bags, and heels were finished with quirky surprises like crystal detailing, along with the house’s signature anatomical and trompe l’oeil details.
In the show notes, Daniel Roseberry says, “The world may feel more chaotic than ever, but here, the mood is celebratory both of what fashion can be, but of how fashion can make you feel.”
Everything about Schiaparelli Spring/Summer 2025 felt SO good. What do you think?
London Fashion Week celebrated its 40th anniversary, as the streets bustled with designs, models and enthusiasts alike. With this historic milestone, London, the cultural leading capital of fashion and platforming is here for it all. With bigger brands strutting their way into Fall/Winter shows as well as red carpets, The W joined the bash in their style by sharing a toast to the artistic processes and emergent designers on Sunday, 15th September with The W Fashion Week 2024. Not just with a platform, but a huzzah to those rising.
Megabrand tends to take the spotlight when it comes to promotion, displays and celebrity sponsorships, and it happens quite frequently that the limelight rarely falls on the up-and-coming designers. While the capital leads the game in fashion, it still falls short in this aspect. Despite the city’s cosmopolitan reputation, the fashion and beauty scenes tend to lack diversity. Many such brands with culture and innovation embedded in their designs never make the cut or a list of the top five hundred or ten. By working together with retailers, organizers, volunteers from all over the world, community organizations and industry leaders, The W Fashion Week steps in to close the disparity and get the wheels churning.
Phadria Antoinette Prendergast, the Editor-In-Chief at The W, assembles a group of skilled enthusiasts alongside fashion technicians to curate a platform hosting international and national companies to recognition. Highlighting under-representative, alternative and underprivileged talent, The W Fashion Week is dedicated to elevating the visibility of marginalized voices that are remodeling structures, redefining color schemes, and reinventing creativity and style. This year, a cohort of 28 designers—ten more than 2023—from six different countries hit The W’s runway at Mercedes-Benz World to amaze the public with their craftsmanship.
Boasting a star-studded group of attendees, this year’s line-up at W Fashion Week was modern, futuristic and fluid in appeal. From concrete streetwear to metallic silhouettes, if you’re looking for a statement outfit in this spectator crowd, look anywhere and everywhere. From Prendergast herself—who was wearing Diesel and Prada—to TV personalities like Jasmine Johnson and Love Island-winner Josh Oyinsan, influencers like Balia Adare and Anisa Farah, entrepreneurs like Diamante Dawn Laiva and Samantha Harding, athletes like Wyse and Ollie Hassell-Collins, and models like Josh Legrove and Mataya Sweeting, everyone interpreted fashion in their element. Solidifying their presence and game at the Mercedes-Benz Arena, in London, amongst an audience of five hundred, the brands took to the stage in all glory and glam.
2024 became the biggest year yet for The W Fashion Week, with numbers rising from eighteen to almost thirty designers and brands from all over the globe showcasing their collections and body of work for a total of 193 looks. Be it streetwear, evening drapes, athleisure, or accessories, Fashion Week was here for the challenge and so were the designers who accepted it. Liam Brandon Murray, DETARON Couture, Prudence Young, Zhania Studio, MOUF, Iman Grine, Blu Reign, Confidence by Grace, Shauna Courtney, DEFIED + Zoe Hoop Jewelry, Upsycle, Soixantethree, Gangsterus, Travel Infinite, MURMAID, HAUL, Bonifique, Bav Tailor, Rainbow Dropz, Voglia Swim, Matthew Joseph, Anko + Karina Immanuel, and ZastaStudio + ITELE are the few prominent names which made their way to people’s hearts.
With such large numbers on display, The W Fashion Show 2024 had something from everyone. Brands like Bonifique and Voglia Swimwear showed sportswear and athleisure, while Prudence Young, Zhania Studio, ZastaStudio turned heads with their avant-garde and experimental designs. Bav Tailor’s collection was inspired by holistic practices, but they weren’t the only ones tapping into their heritage: Iman Grine blended modern trends with traditional elements of Moroccan culture. Matthew Joseph reflected on societal pressures through his collection No Space to Breathe while brands like Everyday Fit, MOUF, Blu Reign, Detaron Couture, Travel Infinite, Soixantethree, MURMAID, HAUL, and Gangsterus stretched the boundaries of street style and innovation. Both Anko and DEFIED showed their debut collections, the former making a case for modern minimalism and the latter tapping into 1980s nostalgia, while Shauna Courtney and Confidence by Grace showed the perfect capsule wardrobe for the modern woman. Rainbow Dropz and Upsycle brought us back to the 2020 trends of bold crochet creations and upcycled denim. Footwear was provided by ITELE, jewelry by Zoe Hoop Jewelry, and accessories by Karina Immanuel.
The runway reflected many of the trends we’ve been seeing during this Fashion Month so far. In particular, when it comes to colors and textures, the collections adhered and added their take on the naturally narrow way to interpretation to widen the scope of the trends. Muted earthy shades and jewel tones were the predominant color spectrum for the almost 200 looks from couture to streetwear: muddy greens and browns, mustard and lemon yellows, desaturated blues and pinks spanned designers and collections. Texture play was another standout feature of many designers’ works: tactile pieces in fuzzy, rugged, distressed, and scaly materials added a sensory feel to the runway. With an overarching desire to incorporate an earthy and natural feel into the garments, designers and curators made use of various color combinations and texture samples to their accord for delivering the beauty of nature as they interpret it.
Backed by a team of meticulous assistants, editors, stylists, make-up artists, socials and digital groups, stewards as well as the magazine’s staff, the runway was powered by a collective effort of those remote and offline, enthusiasts and/or participants. Until the next cycle, the next arena and the next theme, the magazine bids you well and invites you to hail the art of fashion as an art, diversified. Not gate-kept.
Ah, the things we do for fashion. Rain pelted down on Paris Wednesday evening, as gridlocked cars inched around Place du Trocadero. The weather outside was positively frightful, but that didn’t stop avid fans from assembling outside the Eiffel Tower adjacent venue to catch a glimpse of their favorite stars/soldiers in the Balmain Army. Anitta, Cardi B, Brooklyn Beckham, and even the first lady of France found their ways inside without a hair out of place, though Anitta joked backstage that her dress was so tight she could hardly breathe. The show itself offered a welcome respite, with the words, “Je T’aime” or “I Love You” playing over and over again on the loudspeakers. The first looks boasted sequined red lips, as if to kiss the pain away.
What followed were dresses decorated with feminine faces, and shifts sporting distinctly Parisian signature stripes, elevated and embellished in a way only Balmain could.
Balmain’s Spring/Summer 2025 offering was more wearable than most. Pointy shouldered blazers in black paired smartly with silk blouses and tailored pants in wool and leather.
Tote bags, cinched closed with belts, will easily be the next workwear must have. Pops of color came with red sequined gowns and blush pink dresses—the latter closed the show in a storm of silk rose hued dresses that would make any fashion enthusiast blush.
Lengths:
Mostly mini with a smattering of floor sweeping gowns.
Screenshot
Colors:
Black, gold, white, pink, red.
Fabrics:
Suede, silk, sequins, metal.
Shapes:
Hourglass emphasized by strong shoulders and pronounced hips.
Accessories:
Gold belts, gold tipped heels, fold over boots, gold necklaces, “belt” tote bags. Accessories were inspired by tubes of Balmain lipstick, eyeshadow palettes, and fragrance bottles.
Cool kids snaked down the sidewalk outside of the Espace Niemeyer, a former Headquarters of the Communist Party which now moonlights as a futuristic venue with a stark geodesic sphere decorating the lawn. Guests, mostly clad in all black, sauntered into the spaceship-like space, ambling into an inner dome that beamed lights down on the collection amidst glittering chrome tiles. Lithe models sauntered slowly down the runway, most boasting barely there sheer lace bodysuits, dresses and pants that boldly exposed breasts and thongs.
For those more demure and mindful, De Javier offered jackets with pointy shoulders, dresses with billowing sleeves and long trains, and oversized coats that made serious sartorial statements.
De Javier has been named Riccardo Tisci’s protege, and Tisci’s touch could be seen in the horns and pointed shoulders of select garments; similar to the sharktooth, Tisci finds a focal object and sticks to it, weaving it throughout all of his collections to mark his territory.
Judging by the amped and overflowing crowd and the exquisitely executed looks, De Javier is certainly poised for a fashion industry take over. He’s got next. What do you think?
Lengths:
Floor sweeping gowns with ample fishtail trains.
Colors:
Black and White.
Fabrics:
Lace, cotton jersey, feathers, mongolian fur.
Shapes:
Bold shoulders on lithe models, skin clinging silhouettes.
Rapper Cardi B’s snatch back game is too real. After just giving birth to her third child on September 7th, the Grammy award winning artist is back on the scene, looking better than ever before.
If you’re a fan of Cardi’s, then you know that following the delivery of her baby girl, she was quickly back in the gym, working on her physique,
Some people say “no pain, no gain,” and based off of how incredible Cardi B looked while stepping out in New York City this week, she’s definitely been putting in that work.
Rocking a red custom Matthew Reisman Asian inspired printed dress, Cardi’s dress had a corset bodice that showed her cleavage. Her front high slits of her dress showed off her metallic gold sandals and her red mini Hermes bag was the perfect accessory.
Her glam was also on theme, with her hair styled straight with two buns that had chopsticks. Her smokey eyeshadow, lined lip and skinny eyebrows reminded us that 2024 is indeed “The Year of the Dragon.”
With an EP entitled, ‘High Maintenance,‘ Saweetie is far from average, and she has proven that she is a chameleon on the fashion scene.
During London Fashion Week, the Bay Area native look absolutely gorgeous at the Richard Quinn show. She embodied timeless beauty in a cream and black gown by the UK designer.
Quinn, who earned his Fashion MA from Central Saint Martins, created his label in 2016 and has received numerous awards for his exceptional design ability. In 2017, he received the H&M Design Award, and following that he won the British Fashion Award in 2018 for Emerging Talent Women’s wear.
Saweetie stole the style spotlight at The Dorchester in London as she posed in an off-the-shoulder black sequin laced gown that had a cream 3-D floral bodice. With peach eyeshadow and a warm neutral tone lip that glistened in the midnight sky, she looked like a femme fatale.
Fans took to Instagram to share their enthusiasm for how bomb Saweetie looked. Designer @Sai.Sankoh wrote, “She looks elegant. Love it😍,” while @callbackchristina wrote, “Saweetie looks so majestic😍😍😍. I see you @richardquinn🔥🔥. “
One thing’s forsure, and two things for certain, Saweetie looked like royalty at the Richard Quinn show, and we love her queen-like confidence that was perhaps symbolic to modern day cinderella.
[Change of Fashion Designers: Shareef Mosby, Heart Roberts, Durrell Dupard, Nia Thomas and Larissa Muehleder.]
It’s tough to imagine a world where the fingerprints of Black designers don’t exist in fashion. History reveals that the biggest celebrities, athletes, and models have worn innovative designs either created or heavily influenced by Black creators. From zoot suits to track suits to sweat suits, many modern fashion trends have been popularized by pioneering Black visionaries. Black designers have undoubtedly been the threads that weave the very fabric of the fashion industry, yet their influence is not reflected in their representation. In fact, only 7.3% of designers in America are Black (Per Zippia.com, as of 2021), often facing systemic barriers and racial disparities despite their immense contributions.
Those who have managed to break through these barriers have done so with struggle, hard work, persistence, and a lot of pushback. Despite the progress made and growing social awareness of these disparities, it remains incredibly challenging for new designers to secure a firm foothold in the industry. To support the diverse communities it serves, McDonald’s USA has launched the ‘Black and Positively Golden Change of Fashion’ program, leveraging their platform to help provide resources to five rising Black designers on the cusp of greatness.
This program includes designers from across the country, including Durrell Dupard, Shareef Mosby, Larissa Muehleder, Heart Roberts, and Nia Thomas. Through their journey they will be paired with experienced mentors, have access to expert-led masterclasses, one-on-one mentorship sessions, featured on large stages, and have the opportunity to create two merch lines, including a capsule collection set to launch in 2025.
These young designers were present at September’s New York Fashion Week with a bevy of experiences – a live Meet and Greet at the iconic Times Square McDonald’s store, pop-up shop and short film premiere at the Black & Positively Golden Change of Fashion Symposium and “A Toast to Black Excellence” reception hosted in by the Black Excellence Brunch. McDonald’s also partnered with the luxury design house LaQuan Smith for a week long apprenticeship for the Designers and to be the official late-night food sponsor at his inaugural runway show afterparty, serving the Chicken McNuggets and Fries to guests. The Golden Arches are committed to elevating Black-owned brands by leading the “Show Up and Show Out in Black” initiative in partnership with Zerina Akers’ Black Owned Everything, where patrons of Black Designers are gifted an “I Support Black Fashion Designers” pin with purchase. During NYFW they encouraged everyone to shop for looks from Black-owned brands, alongside the Change of Fashion designers, and share it through social media, tagging @WeAreGolden and @BlackOwnedEverything.
These designers made their mark during NYFW, let’s get to know these Black designers with incredible vision who plan to make their mark on the industry and how their mentors will help advance their careers.
[Change of Fashion Designer: Nia Thomas ]
Nia Thomas
Having a label that bears your name is a bold commitment to the mark you want to leave on the industry and to the consumers of your product. With your name on it, you’re driven to provide the best work possible, and Nia Thomas exemplifies this by pushing quality over quantity in her designs. She creates fashion with the intention of making anyone who wears it feel powerful, while also being mindful of sustainability, using eco-conscious fabrics. The New York native is paired with retail executive and buyer Shawn Howell, whose years of experience as VP Divisional Merchandise Manager of Saks Fifth Avenue has made him a well-respected figure in the industry for driving results in fashion retail. Shaun’s mentorship will be beneficial in compounding the growth of Nia Thomas, which has already reached over 30 countries worldwide.
[Change of Fashion Designer: Shareef Mosby]
Shareef Mosby
If there’s one word that Shareef Mosby uses to describe his designs, it’s “unconventional.” The Harlem-born, Richmond-bred designer and CEO of VICTIM15 has carved out his own lane in fashion, taking avant garde pieces and fully submerging them into the world of streetwear. Shareef’s journey began when he was 15 years old in Richmond, Virginia. It was through the creative community in this unlikely fashion hub that he founded his company which has evolved from being just a clothing brand to an immersive experience highlighting his fashion. He has taken his pieces to major fashion hubs in New York City and Miami, with ambitions for the brand to make history and gain worldwide recognition. Shareef is working alongside Elaine Welteroth, the second youngest Editor-in-Chief in Condé Nast and the second Black woman to hold the title in the company’s 107 year history. Paired up with this industry trailblazer, Shareef will be guided by someone who knows how to break boundaries and achieve lasting success in the fashion industry.
[Change of Fashion Designer: Heart Roberts ]
Heart Roberts
Heart Roberts knows there are no rules in fashion. For his pieces, he mixes, matches, manipulates and distresses to create beautiful work outside the conventional creative realm. The result has been his own brand HEARTHROB. Growing up in Brooklyn, New York, he’s been around fashion and creativity his entire life, and breaking through into spaces that were previously inaccessible to people who look like him has always been one of his goals. Now, he’s determined to shatter even more boundaries and redefine what’s possible in the industry. He’s paired up with Sherri McMullen, CEO and Founder of luxury retail store McMullen who has a keen eye for spotting emerging talent and a deep commitment to uplifting Black designers in her 20+ year career in the fashion industry.
[Change of Fashion Designer: Larissa Muehleder]
Larissa Muehleder
Larissa Muehleder’s connections with people across the world has inspired her fashion journey. Born in Germany with Austrian and Nigerian, having lived in Paris, and eventually relocated to Brooklyn, New York, her concepts, designs, and overall outlook represents her worldly perspective and inspirations from people around the world. Muehleder, her fashion brand, is a testament to empowerment—both for those who wear her designs and for the broader community she represents. Throughout her career she has proudly used Black models to showcase her clothing and stands ten toes down in her decision proudly saying, “I want Black people to see themselves in a brand, especially a luxury brand, and see themselves as luxury.” Her mentor for this program is Laquan Smith COO Jacqueline Cooper, a strategic powerhouse in her own right whose creative strategy has helped elevate the brand to be adored by the fashion elite. Cooper will undoubtedly provide Larissa with the skills and support needed to continue growing as a Black luxury brand.
[Change of Fashion Designer: Durrell Dupard]
Durrell Dupard
New Orleans-native Durell Dupard has taken sewing and crocheting to a whole new level when it comes to fashion. Inspired by his parents and grandparents who practiced these crafts, Durrell has created some of the most unique designs worn by cultural icons. These one-of-a-kind creations are part of his fashion brand, Freddie Estelle. Through McDonald’s Change of Fashion Program his mentor Justina McKee (Matte Collection CEO) feels like a “big sister” to Durrell. As he navigates the industry as a Black creator, he knows he can depend on Justina to answer any questions or lend her expertise from the work she’s done in organically connecting her audience and sustaining growth in her business.
Follow the journey of these designers here and on Instagram @wearegolden.
Tune in to the Tamron Hall Show today to watch me chat with Tamron Hall on how I went from crashing fashion shows to hosting my own Bomb Fashion Show during New York Fashion Week!
TAMRON HALL – Coverage airing on Friday, September 20, 2024. Tamron Hall airs weekdays in syndication on ABC.
(DISNEY/Jeff Neira)
CLAIRE SULMERS, TAMRON HALL
Because I was speaking about giving emerging designers an opportunity to show during New York Fashion Week, of course I had to wear a designer from the Bomb Fashion Show! I ripped this Envysaje Atelier dress from the runway:
And added my own twist, tailoring the dress to the knee and adding some strappy sandals.
TAMRON HALL – Coverage airing on Friday, September 20, 2024. Tamron Hall airs weekdays in syndication on ABC.
(DISNEY/Jeff Neira)
CLAIRE SULMERS
I was so anxious about being ashy that I went a bit too shiny on the legs!
TAMRON HALL – Coverage airing on Friday, September 20, 2024. Tamron Hall airs weekdays in syndication on ABC.
(DISNEY/Jeff Neira)
CLAIRE SULMERS, TAMRON HALL
But aside from that everything was bomb! I’ll update this post with the video clip so you can see how I did.
TAMRON HALL – Coverage airing on Friday, September 20, 2024. Tamron Hall airs weekdays in syndication on ABC.
(DISNEY/Jeff Neira)
CLAIRE SULMERS, TAMRON HALL
In the vibrant world of fashion, few events capture the imagination quite like the Dolce and Gabbana Spring/Summer 2025 show, where the legendary Madonna graced the runway in a stunning ode to her unparalleled influence on pop culture and style. The event, held in the heart of Milan, was a celebration not only of the brand’s exquisite craftsmanship and bold aesthetics but also of the icons who have shaped the landscape of fashion over the decades. Madonna, known for her boundary-pushing looks and fearless self-expression, embodied the essence of the collection, which seamlessly blended traditional Italian elegance with modern flair.
The show featured an array of striking ensembles that highlighted Madonna’s signature blend of glamor and rebellion. Draped in a series of breathtaking outfits that ranged from intricate lace designs to bold metallics, she captured the audience’s attention with every step. The collection paid homage to her illustrious career, featuring motifs and colors reminiscent of some of her most iconic performances. Madonna’s presence on the runway was not just a testament to her status as a fashion icon but also a celebration of the timelessness of her artistry, reminding attendees of the powerful connection between music and fashion.
The show, held in a stunning venue adorned with lush florals, exuded an air of extravagance that has become synonymous with the brand. Creative directors Domenico Dolce and Stefano Gabbana drew inspiration from Italy’s rich cultural heritage, infusing the collection with elements reminiscent of classic Italian cinema, Baroque art, and vibrant street culture. “Fashion is not just about clothing; it’s about telling a story,” Dolce stated in an interview prior to the show. “With this collection, we wanted to evoke the spirit of Italy, a land of beauty, passion, and history
The runway showcased a diverse range of silhouettes, from flowing gowns to tailored suits, each piece reflecting the duo’s signature aesthetic. Bold prints and rich colors dominated the collection, with florals and geometric patterns taking center stage. Models strutted down the catwalk adorned in luxurious fabrics such as silk, lace, and brocade, highlighting the meticulous attention to detail that Dolce & Gabbana is known for.
One of the standout elements of the collection was the incorporation of artisanal techniques, including hand-embroidered embellishments and intricate beading. “Our goal was to celebrate Italian craftsmanship,” Gabbana remarked. “We wanted to remind everyone that fashion is an art form, and every piece tells a story of dedication and skill.” This commitment to craftsmanship not only honors the brand’s legacy but also underscores the importance of preserving traditional techniques in an increasingly fast-paced fashion industry.
Photographed by Vogue
Accessories played a pivotal role in enhancing the overall aesthetic of the collection. Oversized hats, statement jewelry, and bold handbags complemented the outfits, adding layers of sophistication and drama. The use of eye-catching accessories reflects a growing trend in the fashion industry, where the details are as important as the garments themselves.
The show also featured a diverse cast of models, emphasizing inclusivity and representation within the fashion industry. This move aligns with a broader industry shift towards embracing diversity, allowing audiences to see themselves reflected in the designs. “Fashion should be for everyone, and we wanted to ensure our runway celebrated all forms of beauty,” Dolce explained.
As the collection received applause from industry insiders and fashion enthusiasts alike, it became evident that Dolce & Gabbana continues to push boundaries while remaining true to its roots. The Spring/Summer 2025 collection is not just a display of fashion but a homage to the vibrant culture of Italy.
Supermodel Naomi Campbell also graced the event with her presence, further elevating the occasion. Known for her own groundbreaking contributions to fashion, Campbell’s attendance underscored the significance of the show as a gathering of influential figures. Together, Madonna and Campbell exuded a sense of camaraderie and shared history, illuminating the runway with their undeniable charisma. The Dolce and Gabbana Spring/Summer 2025 show was not merely a display of clothing; it was a powerful ode to the enduring legacy of these icons, a celebration of artistry that transcends time and trends.
In a world where fashion often feels ephemeral, Dolce & Gabbana’s latest offering serves as a reminder of the power of storytelling through clothing. As the brand looks ahead to the future, it remains committed to crafting pieces that resonate on a deeper level—pieces that celebrate art, culture, and the timeless allure of Italian fashion.
Designers Domenico Dolce and Stefano Gabbana spoke passionately about the inspiration behind the collection, emphasizing the importance of celebrating icons who have paved the way for future generations. “Madonna is not just a performer; she’s a cultural phenomenon. We wanted to honor her impact on fashion and music,” said Dolce in an interview with Vogue. Gabbana added, “Her spirit is timeless, and we aimed to reflect that in every stitch of this collection”
Photographed by Acielle / StyleDuMonde
With the Spring/Summer 2025 collection, Dolce & Gabbana has once again proven that they are not just designers but curators of a beautiful narrative that invites everyone to partake in the romance of fashion. As the industry awaits what’s next, one thing is clear: the legacy of Dolce & Gabbana will continue to inspire and captivate for years to come.
[Change of Fashion Designer: Nia Thomas ]
[Change of Fashion Designer: Shareef Mosby]
[Change of Fashion Designer: Heart Roberts ]
