Lace, bedroom-ready pajamas, and fur were thrown in the mix right out of the gate: anchored with embellished takes on the slipper. Suiting was easy and functional, yet polished, while slip gowns were often paired with a cozy coat for a sample of real-time wear.
Florals—even for Fall—are no longer groundbreaking, but they were executed perfectly here on billowing shirt dresses with pink lace collars and roomy belted jumpsuits. Landscape patterns were also present on sheer watercolor-inspired button front shirts and trousers and pleated skirt gowns that unfortunately erred on the side of dowdiness.
Embroidery was on display in the form of petals scattered on charming sheaths and flare dresses, a romantic coat, and retro-inspired skirt suit—in larger form as well on glossy gowns.
For the modern fashionista with a cleaner take on style, there were some pared-down ensembles that purified the collection’s extravagant and poetic palette. Simple dresses, suiting, bias-cut numbers, and the aforementioned one-piece in neutrals were all uncomplicated and in a way seemed to represent wardrobe staples alongside the assemblage’s more whimsical designs.
A beautiful collection for sure that challenged Ferretti’s go-tos at times—a fur-detailed dress for instance—but ultimately went back to her old and fine faithfuls. After all, if it isn’t broken, then why fix it?
Thoughts on the latest from Alberta Ferretti?
Images: VOGUE.com
