Marihenny Rivera and Shena Moulton by Pierpaolo Ferrari for Vogue Italia February 2012. Styling by Giulio Martinelli. Snapshot is a section showcasing ad campaigns, pictures, and editorials featuring men and women of color. No words, just an image. Enjoy..and discuss! Source: Beauty Is Diverse
Shena Moulton by Robert Harper for Playing Fashion. Styling by Katy Lassen. Snapshot is a section showcasing ad campaigns, pictures, and editorials featuring men and women of color. No words, just an image. Enjoy..and discuss! Source: Fashion Gone Rogue
• BFF’s Tika Sumpter and Lala Vazquez-Anthony are poised to make their chic getaway in Vibe magazine’s October/November 2011 issue. (Necole Bitchie) • Why do certain individuals continue to act like Carrie Bradshaw was the first woman to wear a gold nameplate necklace? Frank Gargione over at Racked explores the “re-emerging” trend: “Being jaded, we Continue Reading
If you’ve had your eye on the catwalk this season, you’d notice a few more models of color getting their shine on in New York, London, Milan, and Paris. In addition to industry mainstays Joan Smalls, Ajak Deng, Melodie Monrose, Anais Mali, Nyasha Matonhodze and Jourdan Dunn, new girls like Marihenny Rivera, Fatima Siad, and Continue Reading
• Nyasha Matonhodze, Anais Mali, and Shena Moulton attend the White Fairy Tale Love Ball at Chateau de Wideville in France. Stunt 101, ladies and gentlemen! (Beauty is Diverse) • Two people have pre-ordered the crocodile backpack from The Olsen Twins‘s new handbag collection for The Row. How much did they shell out for said Continue Reading
Contact Claire for interviews, events, collaborations and inquiries. See instances from Claire's life here. See more pictures here.
All images on www.the-fashion-bomb.com and www.fashionbombdaily.com are readily available on the Internet and believed to be in public domain. Images posted are believed to be published according to the U.S. Copyright Fair Use Act (title 17, U.S. Code.). Copyright © 2006-2013 The Fashion Bomb LLC. © 2006-2013 All text herein is property of the author and may not be copied or reproduced without explicit permission.
